Monday, October 16, 2006

Poem: 10,000 Ft Above

Flying above our patchwork country
I find myself wondering
How did this world get remade into so many squares?
How were the rounded eges turned at sharp angles
Squared off and split by geometrical necessity
Turned to tesselated patterns
And laid, boldly, over the lazy curves of the landscape?

Was it man who made it so?
[Plowing in straight lines
And living in wooden boxes
Laying streets in cardinal directions
To point the way for lives that travel unbroken roads
From a hospital to a cemetary
On opposite ends of a square community]
Did he realize that he was murdering the curve of nature?

But water breaks his rule
In the midst of rectangles and ninety degree logic
It meanders
Takes no line but the path of least resistance
The shape offered by the land
Furrows dug by time
Plowed by microscopic hands
Multiplied by the immensity of repetition
Water drops that smoothed stone
Conquered the sharp sides and hard lines
To run diagonally
Sinuously
Languidly draped across its bed of earth
Like every dip and hollow of a woman’s frame
Who sleeps bare and unashamed
Arms and legs in slanting repose
A subtle sneer to the square bedframe
And to whom love will be made
In spreading moments and angled penetrations
In liquid immersions that remind us why all rivers are feminine
Why all curves are natural to mothers of the land
Why men plow in straight lines
But still water their fields with the streams that obey neither column nor row
Why birth and death
In straight lines conceived
Come roundabout and at us sideways
Carving unexpected paths
In the same stone block of time
Shared by the myriad square builders
Since the moment the first man looked at the curve of a hill
And saw the straight spine of progress poking through


Copyright 2006, Elijah Hubbard

Tuesday, October 10, 2006

Haiku: Untitled

Fortune cookie cracked
Destiny in a dessert
Speaks sweet truths when split


Copyright 2006, Elijah Hubbard

Poem: Supernovae

How hungry these crowds of people make me
How their collected gravity coalesces and collapses
How their black hole of memory and weight
Make me yearn to reach out and fill them
With a lifetime of moments expanded unto eternity
With the words and sounds of my soul
Lost like light on the rim of their maw

I would be everything to them
Who are nothing to me in my mobbed solitude
Another speck of inwardly facing spark in a sea of personalities

What makes us so different from each other?
Are the boundaries of this flesh and the lines of this body
A Berlin wall between our hearts?

The dizzying prospect of unlimited time
Unlimited currency to spend and give
Is like a drug to an experience addict
One who longs to be not one, not two
But a million magnified stars
Swirling around their quasar father
Bleeding ever outwards to their eventual ends
An inevitable collapsing
As the decays of old age feed
Termite-like
On the structures and interstices of light
Until spark gives way to dark
And the resulting flash
The final farewell
Is seen, far brighter, by the hunger-inspiring crowds
A million miles away
(yet)
Right next to me in my end


Copyright 2006, Elijah Hubbard

Monday, July 17, 2006

Poem: Night Owl

To those who say (with an air of gentle admonition)
“You are a night owl”
I say to them
“You are a liar”

Are they insinuating
Through hackneyed phrase and well-worn cliché
That there are day owls?
Some normal breed of photo-avian
Who keep regular birdly hours
In a timely, bespectacled manner?

Furthermore, (I cry indignantly)
What do night owls know?
Of Monday mornings in grim dawn light
Of pain and tightness behind the splitting eyes
Of the steady, insistent hooting of my alarm clock
Just moments before I tear it from the wall?

No, night owls know nothing of these things.
So, I am no night owl
But rather a day owl (if they exist)
Who keeps very irregular hours


Copyright 2006, Elijah Hubbard

Wednesday, December 07, 2005

Poem: Terra Corpus

The ending is quiet
While beginnings are fireworks
Celebrations of novelty
Endings are the heavy weight of the land
Waiting beneath the starry bursts in the sky
For all things that offend gravity
Must settle back in their places

Who knows the last love?
When everyone guarantees you'll never forget your first?
Who waits expectantly with trembling frame
For the final act of absolution?
The last sainted kiss on the forehead departing
As life nears perfection
At the dusky edges of horizon.

The ending is and was and shall be
The waiter for finality
The manservant for conclusion
The docile one who goes gently into that good night
And welcomes with tired arms the dying of the light.

The penultimate sigh welcomes the last
The final love carries you over the brink.
Is it more important to remember
The starry bursts of youth, in sky ablaze?
Or to feel the weary weight of the land
Below you, cradling you, absolving you
Before entombing you in the final ending
The final love
The final embrace


Copyright 2005, Elijah Hubbard

Thursday, November 17, 2005

Poem: Camera (Obscura)

I don’t know Latin
But I know it is the root
Of languages I speak, I think

Camera says to me
Past etymological mystery
Photos taken and memories pressed
Between sheets of silver halide’s breast
Held against a crystal heart

But obscura beckons to me
And says that camera lies, you see
It shows a sliver of time, and only
Not the people, thoughts, acts or motions
But only where they stood when the light approached them

The photo is a signpost
With names of places and no distances
Marked in miles or kilometers even
So you can’t tell how far away anyone is
When they’re standing in a photograph

Happy couple posing
Is unhappy, distrustful, imposing
A generous lie for the halide’s halt
Only naïve me is held at fault

So I admit
I don’t know photographs
Any more than I know Latin
Even when I’m staring at the signpost
Wondering the distances in a picture of me


Copyright 2005, Elijah Hubbard

Wednesday, November 16, 2005

Poem: Living Without Remembering

You were unaware
That this was the last time
Unaware that this was a soon to be last recollection
Of
Fingertips grazing skin
Feeding on the ninety eight point six

Your mind reduced reactions to instinct
Acting without considering the gravity of your movements
Or the motion of the planets
Much less the motion of two people
Elliptically destined to meet
Again (or so you thought)

Before thought taught you
To slow down and
Appreciate the Now
Recording everything
So you’d never forget
Details
Eyes closed, head back
Hair a swirl of golden light
Mouth crept open
Doors at oxygen’s knock

But the door has closed
And you’ve forgotten
Fished all day in the placid clear pool of remembrance
Not a bite in sight
To trouble the waters
Or tremble your soul

They always said
In their hindsight’s wisdom
This is a moment you’ll never forget

But you’ve forgotten who said that


Copyright 2005, Elijah Hubbard